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Welcome, whether you have been following Greg since he first came to the attention of the media or have just ‘discovered’ him a good place to start will be the ‘Been there….’ page, and its sub-
Go to the ‘High Notes’ page for information on the high male voice. Also on this page Greg reveals what some of his all-
Details of the range of music courses that Greg has attended in recent years can be found on the Opera Courses page and its sub-
Performance contact details and a ‘Message for Greg’ box, which he really enjoys receiving, can be found on the ‘Contacts’ page.
Greg has considered various possibilities for continuing his music education and one option that increasingly appealed to him was to study in Europe, particularly Germany or Austria. An enquiry for more detailed information than was readily available on the internet to the Mozarteum University of Salzburg resulted in Greg being invited to go there and sing for the Head of Baroque studies. In January 2017 he flew out to a very, very cold Austria where he stayed for a couple of days before going onto Berlin. He thoroughly enjoyed his time in both Austria and Germany finding he liked the food and cultural experiences that both countries had to offer. Greg also, as planned, sang for the Head of Baroque at the Mozarteum and was thrilled to receive a very positive response from the session; strengthening his commitment to the idea of continuing his studies in Europe. However, his German language skills, at present, are not of a standard that he would need for study at an advanced level.
As living in a country is always one of the best ways to learn a new language or to quickly enhance existing skills Greg decided to relocate to Berlin. An exploratory week there at the beginning of October 2017 saw the things that anyone needs to get sorted when relocating quickly fall into place. So, rather than coming back to the UK for a couple of months after his initial week, which had been his intention, Greg returned for just a few days and has been living in Berlin since mid October. Living somewhere completely new, especially outside of the structure of a university course, means having to quickly establish friendships and Greg has used music and his love of performing, joining a theatre group and a choir, to facilitate this.
As well then as working part time and continuing to learn German Greg has been busy with rehearsals and performances. The theatre group that he has joined staged a production where he found himself acting in German for an audience of native speakers, which was slightly anxiety elevating but very enjoyable. Also somewhat anxiety raising, but very exciting, was an opportunity to perform at the Konzerthaus at Stadtmitte, duetting with a new singing friend at a concert for the staff who work there; a knowledgeable audience well used to hearing top class voices. Greg was also invited to join a local choir group and very quickly had to learn their Christmas concert programme that was performed without scores for an audience of some four hundred in one of Berlin’s beautiful churches. A somewhat slimmed down version of the concert was then performed a further three times in various care settings dotted around the city. The first few months then have seen him performing even more than he did whilst at University. So far Greg is loving his new life in Germany.
Greg lived in York from September 2014 to June 2017 whilst undertaking a Music Degree at the York University. A member of the elite Russell Group York is one of just six post-
For all completing their degrees there is the question of what to do next? Greg wishes to continue with his studies but first there were the Summer months to fill with music. In 2016 Greg attended a Summer School at Jesus College Cambridge hosted by Cambridge Early Music, a body that provides intensive study weeks in historically informed performance of early music. Greg was delighted to be personally invited to apply for a place in 2017 also and received a full bursary for attendance of the Monteverdi Legacy Summer School which took place the first week in August at Girton College; read about his time there on the Opera Courses page.
In August sang in an all male production of Tosca, which obviously involved a degree of gender fluidity for some roles. Greg sang soprano with the chorus and was also a cover for the shepherd boy’s aria ‘Io de sospiri Mia’. As part of his preparation for Tosca and other Summer recitals Greg continued to attend singing lessons with vocal coach Raymond Connell, a native Australian based in London. (Previously Greg has enjoyed three years of happy collaboration with vocal teacher Linda Hutchison.) Since living in the UK Raymond has worked for both the Royal Academy of Music and the Guildhall School of Music and Drama and presently runs the Raymond Connell Singing Studio.
Also in the summer Greg was approached by an award winning music company with a commission; he was booked to record a piece, ‘The Window of Appearances’, from a modern opera by Glass where the main character is a Countertenor role.
Less than a week after the initial contact Greg found himself in London at perhaps the premier recording studios in Europe, Metropolis. Filled with the most up to date recording, mixing and remastering equipment artists and groups such as Queen, Michael Jackson, Lady GaGa, Amy Winehouse, will.i.am, The Stone Roses, Adele, and Rihanna have all availed themselves of the studios facilities. Commercial considerations mean that further details need to be ‘kept under wraps’. The image to the right was taken just as Greg ‘wrapped up’ the recording.
Whilst no further details can be made available of the recording that Greg made at Metropolis you can hear a recording of one of the arias he sang at a Summer recital, ‘O del mio dolce ardor’, from the opera Paride ed Elena by Gluck. The third and least performed of Gluck’s reform operas the story covers the events that occurred between the judgement of Paris (Paride) to the flight of Paris and Helen (Elena) to Troy.
2017 News -
Ready for the premiere performance of Tosca.
Read the Tosca page for more information on this exciting production.
The opera premiered in November 1770 with the role of Paride being sung by Giuseppe Millico an Italian soprano castrato who performed lead roles for several of Gluck’s operas including Orfeo ed Euridice. In this aria Paride declares his love for Elena singing that
The air which you breathe,
At last I will breathe -
…a familiar and recurring sentiment expressed in songs of love by suitors across the centuries.
Listen and enjoy the high notes.
Final dress rehearsal before the performance with the
Theatre Verdinbet Company